BEST AMERICAN PLAYS / GASSNER, JOHN

Título : BEST AMERICAN PLAYS Tipo de documento: texto impreso Autores: GASSNER, JOHN Editorial: N.Y. : CROWN Fecha de publicación: 1963 Número de páginas: 678p. Idioma : Inglés (eng) Palabras clave: LITERATURE;AMERICAN DRAMA;COLLECTIONS Resumen: Content:American crisis?/John Gassner.-A touch of the poet/Eugene O'Neill.-The night of the Iguana/Tennessee Williams.-The dark at the top of the stairs/William Inge.-Who's afraid of Virginia Woolf?.-The rope dancers/Morton Wishengrad.-Look homeward, Angel/Ketti Frings.-All the way home/Tad Mosel.-Silent night, lonely niight/Robert Anderson.-Two for the Seesaw/William Gibson.-Mary,Mary/Jean Kerr.-Athousand clowns/Herb Gardner.-The cave dwellers/William Saroyan.-Oh Dad, poor Dad, Mamma's hung you in the closet and I'm feelin'so sad/Arthur L. Kopit.-Orpheus descending/Tennessee Williams.-Gideon/Paddy Chayefsky.-J.B./Archibald MacLeish/The best man/Gore Vidal

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D3019	812.08 GAS	Libro	Biblioteca Anglo	Colección general	Disponible

BEST AMERICAN PLAYS / GASSNER, JOHN

Título : BEST AMERICAN PLAYS Tipo de documento: texto impreso Autores: GASSNER, JOHN Editorial: N.Y. : CROWN Fecha de publicación: 1952 Número de páginas: 707p. Idioma : Inglés (eng) Palabras clave: LITERATURE;AMERICAN DRAMA;COLLECTIONS Resumen: Content:Death of Salesman/John Gassner.-A streetcar named Desire/Arthur Miller.-The iceman Cometh/Eugene O'Neill.-The member of the wedding/Carson McCullers.-The Autumn garden/Lillian Hellman.-Come back, little Sheba/William Inge.-All my sons/Arthur Miller.-Detective story/Sidney Kingsley.-Billy Budd/Louis O. Coxe and Robert Chapman.-Medea/Robinson Jeffers.-Mister Roberts/Thomas Heggen and Joshua Logan.-State of the Union/Howard Lindsay and Russel Crouse.-Darkness at noon/Sidney Kingsley.-Anne of the thousand days/Maxwell Anderson.-Bell, book and Candle/John van Druten.-The moon is blue/F.Hugh Herbert.-Summer and smoke/Tennessee Williams

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D3108	812.08 GAS	Libro	Biblioteca Anglo	Colección general	Disponible
E3618	812.08 GAS	Libro	Biblioteca Anglo	Colección general	Disponible

BEST PLAYS OF THE AMERICAN THEATRE / GASSNER, JOHN

Título : BEST PLAYS OF THE AMERICAN THEATRE Tipo de documento: texto impreso Autores: GASSNER, JOHN Editorial: N.Y. : CROWN Fecha de publicación: 1967 Número de páginas: 716p. Idioma : Inglés (eng) Palabras clave: LITERATURE;AMERICAN DRAMA;COLLECTIONS Resumen: Content:The contrast(1787)/Royall Tyler.-Superstition(1824)/James N. Barker.-Charles the second(1824)/John Howard Payne and Washington Irving.-Fashion(1845)/Anna Cora Mowatt.-Uncle Tom's Cabin(1852)/George L. Aiken.-The octoroon(1859)/Dion Boucicault.-The Count of Monte Cristo(1883)/Charles Fechter.-The mouse-trap(1889)/William Dean Howells.-Secret service(1896)/William Gillette.-The great divide(1906)/William Vaughn Moody.-The New York idea(1906)/Langdon Mitchell.-The truth(1907)/Clyde Fitch.-The witching hour(1907)/Augustus Thomas.-Salvation Nell(1908)/Edward Sheldon.-The Easiest way(1909)/Eugene Walter.-The scarecrow(1911)/Percy MacKaye

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DIRECTIONS IN MODERN THEATRE AND DRAMA / GASSNER, JOHN

Título : DIRECTIONS IN MODERN THEATRE AND DRAMA Tipo de documento: texto impreso Autores: GASSNER, JOHN Editorial: NEW YORK : HOLT Fecha de publicación: 1965 Número de páginas: 457p. Idioma : Inglés (eng) Palabras clave: FINE ARTS;THEATRE

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MASTERS OF THE DRAMA / GASSNER, JOHN

Título : MASTERS OF THE DRAMA Tipo de documento: texto impreso Autores: GASSNER, JOHN Editorial: NEW YORK : RANDOM HOUSE Fecha de publicación: 1940 Número de páginas: 804p Idioma : Inglés (eng) Palabras clave: ENGLISH DRAMA;LITERATURE  ENGLISH DRAMA Resumen: Contents:Primitive portriat:Te first dramatist. The classic masters. Aeschylus:"The father of tragedy". Sophocles, the serene:The plays of Sophocles. Sophocles art of the drama. Euripides, the modern. Euripides, the humanitarian. Classic tragedy after Euripides. Seneca and decay. aristophanes, the poet of laughter:The place of comdey in Athens. The birth of comedy. The comic art of Aristophanes. Political satire. Philosophical and literary satire. Menander, Plautus, and Terence. East and West:Playwrights of the near east. The palywrigths of the far east. The medieval communion:Playwrights of the Church and the guild. The theatre of self-assertion:The journeymen of the renaissance:Thr humanists and the drama. The italian theatre. Tasso and the Pastoral drama. Giovanni Bardi's circle and the opera. Ariosto, Aretino, and Machiavelli. Lope de Vega and Calderón:The monster of nature. Lope and the spanish theatre. The plays of Lope. Calderon de la Barca. Christopher Marlowe. William Shakespeare:The man of stranford.Shakespeare's career in the theatre. Ben Jonson and the "Noble Brood":The bricklayer of the drama. Beaumont and Fletcher. John Webster, the final Elizabetahn. The polite playwrights:Corneille and Racine:Polite tragedy:The heroic drama of Corneille. Moliére and the comedy of society:The comic genius of Moliere. The 'human comedy' of Moliere. After Moliére:Beaumarchais. From Etherege to Sheridan. The modern drama:Goethe and the romantic spirit. Romanticism over Europe:A lyric poet in the theatre. Lessing and the religion of reason. Schiller and the romantic Afflatus. Goethe, the last of the universal minds. Romanticism over Europe. The German romanticism. The diffusion of romanticism. The poets in the English theatre. Victor Hugo and the French romanticism. Scribe and Sardou. Dumas fils and Augier:The end of romanticism. Ibsen, the Viking of the drama. The Scandinavian succesion and Strindberg. The journeymen of the French sucession:Zola and naturalism. Becque and Antoine. Adolphe Appia and the scenic movement. Latin postcripts-Benavente and Pirandello. Gerhart Hauptmann and the modern naturalism. Hauptmann's fellow-travelers and the expressionist Eruption. Chekhov and the Russian realists:The Russian dramatists. Chekhov and the sublimation of realism. After Chekhov:Andreyev and Evreinov. Maxim Gorky and the Soviet drama:Maxim the Bitter. Dramatists of revolution and reconstruction. John Millington Synge and the Irish Muse:William Butler Yeats and Lady Gregory:The Celtic renaissance. The genius of Synge. After Synge. The second coming:Sean O'Casey and Paul Vicent Carroll. Bernard Shaw and the British compromise. The resources of Shaw. Shaw as critic and playwright. Shaw's fellow-travelers. Eugene O'Neill and the American scenes. The voyages of O'Neill. The American galaxy:The Kaufman cycle. Philip Barry's comedy of ideas. Robert Sherwood and the decline of the west. Maxwell Anderson, realist and romancer. American Scenes:Howard, Rice, Paul Green, and others. Clifford Odets and the insurgents

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